It's A Wonderful Life
adore this film...first time I went to see it was going through a bad period myself and went to see it with family in the glasgow film theatre...it was like stepping back to 1949 and the screen had curtains/people appluaded at the end...the experiance of even seeing such a great film was amazing.
I am all for the internet, media, smart phones and what not, but whenever I see that movie (or Casablanca or Lady in the Lake) I feel like the world is rotting away with exposure. And then I think about social science, and know that I will think about thirty years from now thinking the exact same thing about the 2000's.
Well about this difference between the 1940's and today, a friend and I had a conversation about this movie topic by comparing Capra films to the company making the most similar films today: Happy Madison i.e. Adam Sandler.
Let's compare 2 remakes:
It's A Wonderful Life (Capra): he's the richest man in town because he sacrificed for his friends
Click (Sandler): a guy needs some time to himself
Mr Deeds Goes To Town (Capra): he gives his money away to farmers and says if they work the land for 3 years it's theirs
Mr Deeds (Sandler): buys everyone ferraris
I love the movie too. We frequently quote it (and it was very frequently quoted in Mystery Science Theater 3000).
On the off-shoot topic of Adam Sandler, though I haven't seen Click I have seen some of Mr Deeds and it's a real shame they did such a rotten job with these. I hated Sandler on Saturday Night Live because of his stupid characters and the fact that he found himself so utterly amusing while playing them that he kept cracking up. It got old fast. But in films, where they can edit out the stupidity, Sandler surprises all by being able to portray a likable, down-to-earth regular character with a bit of a temper and a sense of humor, one who could in fact do a great job in the right script playing just the sort of characters required for a Capra remake (as if one was ever necessary). Yet given the relative suitability of the leading man, the movies are ruined by ridiculous plot changes and a total misunderstanding of the characters. I wish they'd just left things alone if they couldn't update it properly.
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"Pack up my head, I'm goin' to Paris!" - P.W.
The world loves diversity... as long as it's pretty, makes them look smart and doesn't put them out in any way.
There's the road, and the road less traveled, and then there's MY road.
Sounds like communist propoganda to me. I always hated the original because it was "too happy" and a "boring people movie".
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I'm not weird, you're just too normal.
Sounds like communist propoganda to me. I always hated the original because it was "too happy" and a "boring people movie".
To be sure, it ends happily, but George Bailey spends much of his screen time decidedly UNhappy as his plans are repeatedly thwarted in favor of his having to do certain things he'd rather not do in order to stop the perpetual threat of disaster. Mr. Gower slapped his ears back when he was a kid, college got put off until it was a lost cause, his honeymoon cash went to stop bankruptcy of the family business, and lest we forget, his words to his own uncle:
"Where is it, you silly, stupid old man? Do you know what this means? It means bankruptcy and scandal and prison! One of us is goin' to jail... well, it's not gonna be me!"
If I remember correctly. And don't even get me started on the alternate reality.
The thing about a Capra movie that has made some (like Mr. Smith) too hard for me to watch is the overwhelming crash that the happiness always has to take eventually, one so inky black and brutal that it's too much to hope for the happy ending. The happy ending almost isn't enough to make up for it. So the vastly happy ending in this movie is warranted.
Just my view on it.
_________________
"Pack up my head, I'm goin' to Paris!" - P.W.
The world loves diversity... as long as it's pretty, makes them look smart and doesn't put them out in any way.
There's the road, and the road less traveled, and then there's MY road.
Sounds like communist propoganda to me. I always hated the original because it was "too happy" and a "boring people movie".
To be sure, it ends happily, but George Bailey spends much of his screen time decidedly UNhappy as his plans are repeatedly thwarted in favor of his having to do certain things he'd rather not do in order to stop the perpetual threat of disaster. Mr. Gower slapped his ears back when he was a kid, college got put off until it was a lost cause, his honeymoon cash went to stop bankruptcy of the family business, and lest we forget, his words to his own uncle:
"Where is it, you silly, stupid old man? Do you know what this means? It means bankruptcy and scandal and prison! One of us is goin' to jail... well, it's not gonna be me!"
If I remember correctly. And don't even get me started on the alternate reality.
The thing about a Capra movie that has made some (like Mr. Smith) too hard for me to watch is the overwhelming crash that the happiness always has to take eventually, one so inky black and brutal that it's too much to hope for the happy ending. The happy ending almost isn't enough to make up for it. So the vastly happy ending in this movie is warranted.
Just my view on it.
Well you need that moment of despair about 3/4's of a way into a happy ending movie. We call that Night of Despair. The worst of the worst where it seems the hero will fail before he summons up the courage to win - Hooper attacked by Jaws, Red suspects Andy will commit suicide etc
In a down-ending, it's the opposite. You need the 3/4 moment to be that they think they've won - the Goodfellas steal the lufthansa heist, Mr Smith being accused of corruption etc.
The story's gotta turn into the last act. When Mr Smith is accused, it is hard to watch because you're seeing a good guy whose only flaw is naivety being cruelly hurt by the world. But I believe when Mr Smith refuses to yield, his damned determination is enough the most ardent haters believe in democracy again.
The Mel Gibson version only improves it slightly
I know that is how plot works, but it's something about Capra movies... It's the fact that usually the badness is usually brought on by big, mean people. That sounds simplistic, but I mean it's a wilfull, cruel act, usually, by someone so intent upon their own agenda that they don't care who they crush in the process. That person is generally the nicest guy around, or at least one who's done the nicest stuff for the right reasons (let's face it, George Bailey is a masterpiece of realistic humanity with his basic goodness, sometimes extravagant dreams that don't quite come in to port, and moments of mischief and just plain bad temper). Capra clearly had issues with the "big men" of society and lost no sleep over exposing the evils of such types of people. I applaud it but it really hurts to watch, sometimes. I, like a lot of people here, have seen my share of people who care more about themselves than about who they crush to gain their own enjoyment.
I think that's why so many people enjoyed that Saturday Night Live sketch... let me see if I can find it...
Nah, all there is on youtube is cheap ripoff of it. For those who haven't seen it, Uncle Billy remembers what happened to the money, they form an angry mob and go beat up Mr. Potter.
_________________
"Pack up my head, I'm goin' to Paris!" - P.W.
The world loves diversity... as long as it's pretty, makes them look smart and doesn't put them out in any way.
There's the road, and the road less traveled, and then there's MY road.
I think that's why so many people enjoyed that Saturday Night Live sketch... let me see if I can find it...
Nah, all there is on youtube is cheap ripoff of it. For those who haven't seen it, Uncle Billy remembers what happened to the money, they form an angry mob and go beat up Mr. Potter.
I kinda remember that sketch, I think John Lovitz or Dan Ackroyd was Mr Potter.
I think this whole big bad guy crushing little guy is just borne out of the depression.
It's not about depression, it's about reality. The little is REALLY crush by the big.
I have enjoyed the movie. It's long, but that most be the only time I cried from a happy ending.
It's not about depression, it's about reality. The little is REALLY crush by the big.
I have enjoyed the movie. It's long, but that most be the only time I cried from a happy ending.
I mean the great depression. The little guy vs the big buy is a Capra theme and that's why they did so well with audiences in the 30's wanting a little fantasy.
The funny thing is, It's A Wonderful Life was considered a flop. I suspect it's because it was released in 1945 at the tail end of the war and people were already starting to think that the world was getting better and not worth dwelling on the negative past. Just a theory.
When you ask people when did it come out, alot of people say the 30's. It was Capra's first film for 4 years as he was making war docos like Why We Fight and i guess he thought he could slip into his old style.
I kinda remember that sketch, I think John Lovitz or Dan Ackroyd was Mr Potter.
I think this whole big bad guy crushing little guy is just borne out of the depression.
I hadn't thought of that. It makes a lot of sense. I'll try to remember that when I watch the most crushing examples, such as Mr. Smith Goes to Washington and Meet John Doe... thought the latter is a little hard to watch because you know full well that even the good guys started this thing out with a scam. I think my favorite has to be You Can't Take it with You, but It's a Wonderful Life and Mr. Deeds Goes to Town come in close behind.
I didn't mean to evolve this into a conversation about Capra's work in general, but his work at the time really can be discussed as a set, I think. And he's a favorite of mine. James Stewart is also my favorite actor.
Edit: Another favorite is Arsenic and Old Lace, but I had no idea he had directed that. I just looked it up.
_________________
"Pack up my head, I'm goin' to Paris!" - P.W.
The world loves diversity... as long as it's pretty, makes them look smart and doesn't put them out in any way.
There's the road, and the road less traveled, and then there's MY road.
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