Which is a better opening line?
Writers are told to avoid cliches because they get boring after awhile. Boring for the writer AND the reader.
Actually, a story about a dark and stormy knight could be rather fascinating.
Well... dark and stormy guys are, by definition, fascinating and never boring... so yes.. yes that could work
And if the end of the world was set in Medieval times of high superstition and spooky demons and an insane monk who knew how to raise a special kind of hell...sounds interesting.
Yes, indeed, it does. So, when can I read THAT story?
Writers are told to avoid cliches because they get boring after awhile. Boring for the writer AND the reader.
Actually, a story about a dark and stormy knight could be rather fascinating.
Well... dark and stormy guys are, by definition, fascinating and never boring... so yes.. yes that could work
And if the end of the world was set in Medieval times of high superstition and spooky demons and an insane monk who knew how to raise a special kind of hell...sounds interesting.
Yes, indeed, it does. So, when can I read THAT story?
I apologize for wandering a bit off topic, but I'm not a story writer, I'm a poet and an industrial designer and I won't play any more games with this site. Anybody else who likes the idea can have it.
The inclusion of dark and stormy night is meant to be satirical. It's humorous because it's referencing an overused cliche, but that's not how the story begins at all; it's how it ends, and in fact the night being both dark and stormy for the final chapter is actually very important to how it plays out. Naturally, the details are unknown until the last chapter is read.
However, I'm concerned that with the subtle and offbeat and possibly invisible humor, the reader will be expected me to keep making little metajokes and such throughout the novel, and that's not my writing style. So that could be a bad idea.
I have to admit, I'm not nuts about either of them. I would prefer the second if only because of the problem pointed out already with the first. I think you're spot on in suggesting that if you start the novel with a satirical little nod to the reader, they'll expect the entire novel to remain in keeping with that standard. That would be precisely what they'd expect. Readers will be looking at that first page to help them decide whether to keep reading. You don't want to mislead them from the outset, unless that's the novel's purpose.
If you can't decide between two starting lines, then maybe neither is taking you where you want to go. Nothing says you can't play around and come up with more options.
_________________
"Pack up my head, I'm goin' to Paris!" - P.W.
The world loves diversity... as long as it's pretty, makes them look smart and doesn't put them out in any way.
There's the road, and the road less traveled, and then there's MY road.
However, I'm concerned that with the subtle and offbeat and possibly invisible humor, the reader will be expected me to keep making little metajokes and such throughout the novel, and that's not my writing style. So that could be a bad idea.
Ah-- well, context can make all the difference. In the right context, even a normally clicheed or boring line can become brilliant and unexpected. (I think one of my favorite final lines in a story is "Well, I'm back.")
So definitely go with your overall plan for the story; you know more about it than I do. I was just posting my initial reaction based on that one sentence.
I went with the second; it's simple, a little less cluttered, and gives the reader something to anticipate. If you know the world's going to end in a year, then that's half the story already told...remember the old show-biz adage.
always leave 'em wanting more....
_________________
anahl nathrak, uth vas bethude, doth yel dyenvey...
I apologize for splitting hairs, so to speak, but grammatically the second line requires a comma. It should read:
"He was the most innocent of youths, and perversion followed in his wake."
As: "He was the most innocent of youths"
and:
"perversion followed in his wake"
are both independent clauses.
As you are the writer, you can ignore grammar, and sometimes this rule is ignored (often in journalism).
However some readers will notice it, and at the least would expect you to be consistent (unless you did this intentionally for some reason). At the very least, an editor should realize the error.
Hope this helps, and I do not intend to be rude; I am simply trying to be helpful.
--David
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