shadowself wrote:
LOTR - Eowyn, both in the book and the movie.
I hated what the films did to her. Book Éowyn is cold as ice and tough as nails. She iss attracted to Aragorn's power rather than Aragorn personally; when denied that power and the chance to prove her valor, she rides off to battle in a fey mood. She also calls Aragorn out on being a sexist jerk in one of the most powerful passages in the novels, only the weakest portion of which was retained in the films (presumably to keep Aragorn looking heroic). Film Éowyn is like a giggly schoolgirl with a crush on Aragorn, and rides off to battle in a fey mood only after being disappointed in love. (None of this is Miranda Otto's fault--I thought her acting was first-rate--but the writing stripped away a great deal of the character's awe-inducing effect IMO. I'm endlessly amazed that a character from a book written by a conservative Catholic in the 50s is more feminist and empowering than her 2000s film adaptation.) All that being said, I think I'd like film Éowyn just fine were she not such a pale shadow of Éowyn as Tolkien wrote her. Then again, many characters suffered character assassination or major personality alterations in Jackson's films: Aragorn, Merry, Pippin, Faramir, Théoden King, even Gandalf...
_________________
But if of ships I now should sing, what ship would come to me,
What ship would bear me ever back across so wide a Sea?
--"Galadriel's Song of Eldamar"