How should I end this story?

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With what you've told us and no idea about the direction of the story or the motivations of either sister, the possibilities are virtually endless. It's as if we'd been presented with a noun and a verb and asked to give you an idea what sentence you were trying to write. The sisters could switch places, for example. Which girl is it about? Is it about each equally? Then each should have goals that depend upon one another or fit together in some way. Is it just about Rose, really? Then suppose there is something she knows that only she can take care of, and asks Emily to stall for her until she can get away to handle things? What if it turns out that Emily pushed her? What if Rose is hallucinating, and only thinks someone pushed her? Or is it Emily imagining someone else did it to block her own shame? Is there a third sister, stillborn, haunting the "twins" and only they can see her? Suppose the pusher means to finish the job? Suppose the pusher means to go after Emily next? Is the pusher someone who seems like a saint to everyone else? Was it all an accident and Emily has to grapple with admitting this to others despite her anger? Does Emily have to see the pusher? Weekly? Daily? All day, at school? Is the girl who did the pushing after more, their lives, their friends? Is she mad, does she want to take Rose's place as Emily's twin?

If my ideas sound sinister, it's just what I got from your beginning. As to the middle and end you seek... I've admitted before that I don't get middles well. But I can come up with ideas.

The technique you might try is the one where you write a word in the middle of a piece of paper, something you want to expand upon, and then draw lil lines out from it and write whatever comes into your head, no dwelling on any and no stopping until the paper is full. This just gets you out of a rut if you're finding you can't seem to find a direction from where you are. It also yields a lot of good ideas.

Change all you like. Nothing is set in stone until the story is in print.

So is it a situation where Emily grows through the process of having to prove to everyone what was done to her sister was deliberate? Because I'm seeing a set-up, and a conclusion, a certain amount of motivation that suggests you know more, plenty of conflict to get you going on a plot, but not rising action. And believe me, I struggle with rising action too. I was griping a while ago about my ability to make characters, premises, scenes, dialogue, even endings, but act II conflict, not so much. I'm finally getting somewhere with mine, slowly. And I've found the best thing is to just do the old fashioned brainstorm. I find it a lot of fun, too... The idea that just about anything could happen inspires numerous possibilities, and following the ideas that pique my interest moves me through the block. But I'm writing fantasy/sci fi (hence the ghostly triplet idea I tossed out). I'm also not sure how serious mine will be, whereas yours seems very serious indeed.

But that's my suggestion; Emily has to try to establish who did it, or whether it was an accident. That said, you'd be getting into mystery writing with that, even if it's more of a Columbo style where we already knew who did it. And I am the last person who should help write a mystery! Good luck. If you need more ideas, try the brainstorm or another, since yours is a historical fiction: research. I made a lot of progress with another story (I have a long series planned and work separate volumes at random in order to keep the facts consistent across the timeline) researching early U.S. mental institutions (bath anyone?) and the history of the treatment of shell-shock in WWI soldiers (they told them not to think about it! Dang.).