Quatermass wrote:
It's one of my favourites too, Licence to Kill. But Krest's death is about the only relatively realistic occurrence of explosive decompression that Hollywood has done (space can't do that to a body, but as the Byford Dolphin accident showed, it can happen in a decompression chamber).
I'm just talking about the pure horror of what happens to a human being. I wouldn't want to be either of them, but I think I would choose to be in Krest's position over Carver's.
Quatermass wrote:
I got through half of Dr No last night. I'll watch the other half later today. One of the better things about the earlier Bond films is that they remain closer to the original Fleming works, tweaking things enough so that they work for the time.
The series seems to go back and forth on faithfulness to Fleming. Dr. No starts things off relatively faithful, more low-key and realistic, then things get more and more overblown and ridiculous until you reach the height of it with You Only Live Twice, then things go "back to the basics" with On Her Majesty's Secret Service. Live and Let Die eventually led to Moonraker, and they had to pull Bond back to Earth again with For Your Eyes Only. The cycle happened again with GoldenEye leading to the overblown Die Another Day, and the response was Casino Royale. I fully expect Daniel Craig to be performing a swordfight in mid-air by his fourth movie, and this movie will be followed by something more level-headed.