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ASPartOfMe
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09 Nov 2023, 5:52 am

Since Sly Stone's memoir has just come out


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Honey69
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21 Nov 2023, 10:18 am



https://www.youtube.com/watch?v=P-MrIIEIPek


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ASPartOfMe
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23 Nov 2023, 9:06 am




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23 Nov 2023, 9:51 am


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TwilightPrincess
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23 Nov 2023, 9:56 am


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ASPartOfMe
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23 Nov 2023, 12:18 pm


For those who understandably could not get through the song the video did explain the song received blowback from other Israelis and praise from some others. The video has been deleted.

Hip-hop war anthem reaches number one in Israel
Quote:
A new song became a number-one hit in Israel over the last week, an angry hip-hop war anthem by the duo “Ness Ve Stilla,” whose real names are Nesia Levy and Dor Soroker.

The song’s title, “Charbu Darbu,” comes from Syrian Arabic and means literally “swords and strikes.” In Hebrew slang, it is a reference to raining hell on one’s opponent — which is what the rappers promise the IDF will do to Hamas.

With a minimalist beat produced by Stilla (Soroker) and quick cuts of the rappers in various urban and desert landscapes, the two-and-a-half-minute video is in many ways typical of Israeli hip-hop.

Lyrically, though, the piece encapsulates a feeling of righteous fury that has been prevalent in Israel since the October 7 atrocities.

“Left, right, left, how is it that the whole country is in uniform from Galilee to Eilat… We’ve brought the entire army against you and we swear there won’t be forgiveness, sons of Amalek,” Stilla raps, comparing Hamas to the Biblical enemy of the Israelites who must be obliterated.

The chorus is a roll call of the IDF’s most storied combat units (“Golani, Givati, Air Force, Navy, Commandos!”) and ends with the phrase “All the IDF units are coming to ‘Charbu Darbu’ on your heads, oy oy.”

Ness lends a feminine counterpoint to Stilla’s bravado, but her verses are equally militant. After complimenting all the men in uniform for being handsome, she raps, “For mom and dad, all my friends are at the front, for grandma and grandma, let’s write names on the bombs, for the children of the Gaza envelope.”

The song ends with an up-tempo section where the rappers promise to “X out” their enemies. They call them out by name, including Hezbollah leader Hassan Nasrallah, senior Hamas leader Ismail Haniyeh, and Mohammed Deif, head of Hamas’s military wing and one of the likely masterminds behind the October 7 massacres, saying in Arabic, “Every dog gets his day.”

The rappers also include in their list of enemies Bella Hadid, Dua Lipa and Mia Khalifa, prominent Western celebrities who expressed support for the Palestinian cause shortly after the war began.

Since its release about a week ago, “Charbu Darbu” has become the number-one song in Israel on YouTube, Spotify and other streaming platforms. The duo’s PR team told The Times of Israel that based on the feedback they have received, the song was currently the most popular song in the country.


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“My autism is not a superpower. It also isn’t some kind of god-forsaken, endless fountain of suffering inflicted on my family. It’s just part of who I am as a person”. - Sara Luterman


Honey69
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16 Dec 2023, 5:59 pm



https://www.youtube.com/watch?v=GS1rEJOz9Hc


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TwilightPrincess
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31 Dec 2023, 4:59 pm


https://m.youtube.com/watch?v=LkTXcwc3z ... 9uZQ%3D%3D


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TwilightPrincess
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31 Dec 2023, 5:03 pm


https://m.youtube.com/watch?v=4fWyzwo1x ... bmtlbCA%3D


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Honey69
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03 Jan 2024, 8:52 am

https://www.bbc.com/news/world-europe-6 ... c_team=crm


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Honey69
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06 Jan 2024, 2:33 pm



https://www.youtube.com/watch?v=lH706iP1v68


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Honey69
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06 Jan 2024, 2:57 pm



https://www.youtube.com/watch?v=WUBbGDLJa2k


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Honey69
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06 Jan 2024, 8:12 pm



https://www.youtube.com/watch?v=qYpYzf3 ... ribesMusic


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Honey69
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08 Jan 2024, 6:11 pm



https://www.youtube.com/watch?v=K1hkfidBCNE


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traven
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09 Jan 2024, 3:07 am



W. Williams, Peter (2016). Religion, Art, and Money: Episcopalians and American Culture from the Civil War to the Great Depression.
The names of fashionable families who were already Episcopalian, like the Morgans, or those, like the Fricks, who now became so, goes on interminably: Aldrich, Astor, Biddle, Booth, Brown, Du Pont, Firestone, Ford, Gardner, Mellon, Morgan, Procter, the Vanderbilt, Whitney. Episcopalians branches of the Baptist Rockefellers and Jewish Guggenheims even appeared on these family trees.

This is cultural history of mainline Protestantism and American cities--most notably, New York City--focuses on wealthy, urban Episcopalians and the influential ways they used their money. Peter W. Williams argues that such Episcopalians, many of them the country's most successful industrialists and financiers, left a deep and lasting mark on American urban culture. Their sense of public responsibility derived from a sacramental theology that gave credit to the material realm as a vehicle for religious experience and moral formation, and they came to be distinguished by their participation in major aesthetic and social welfare endeavors. Williams traces how the church helped transmit a European-inflected artistic patronage that was adapted to the American scene by clergy and laity intent upon providing moral and aesthetic leadership for a society in flux.
Episcopalian influence is most visible today in the churches, cathedrals, and elite boarding schools that stand in many cities and other locations, but Episcopalians also provided major support to the formation of stellar art collections, the performing arts, and the Arts and Crafts movement. Williams argues that Episcopalians thus helped smooth the way for acceptance of materiality in religious culture in a previously iconoclastic, Puritan-influenced society
https://archive.org/details/religionart ... 5/mode/2up



Honey69
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13 Jan 2024, 5:11 pm



https://www.youtube.com/watch?v=xDI6KsXfUcM


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