Username is a writer, pockets were abundantly around, in secondhand-occasions, some decades ago.
Themes in B. Traven's works. B. Traven's writings can be best described as "proletarian adventure novels". They tell about exotic travels, outlaw adventurers and Indians; many of their motifs can also be found in Karl May's and Jack London's novels. Unlike much of adventure or Western fiction, Traven's books, however, are not only characterized by a detailed description of the social environment of their protagonists but also by the consistent presentation of the world from the perspective of the "oppressed and exploited".
--hold on why are there " "? this wikipage changes every time you get there, fakefocusing on the writer, trying to put discredit here and there- hide that history that looks like the future (working to get in ever more debt)
Traven's characters are drawn commonly from the lower classes of society, from the proletariat or lumpenproletariat strata; they are more antiheroes than heroes, and despite that they have this primal vital force which compels them to fight. The notions of "justice" or Christian morality, which are so visible in adventure novels by other authors, for example Karl May, are of no importance here.
Instead, an anarchist element of rebellion often lies at the centre of the novel's action. The hero's rejection of his degrading living conditions frequently serves as motive and broad emphasis is placed upon the efforts of the oppressed to liberate themselves. Apart from that, there are virtually no political programmes in Traven's books; his clearest manifesto may be the general anarchist demand "Tierra y Libertad" in the Jungle Novels. Professional politicians, including ones who sympathize with the left, are usually shown in a negative light, if shown at all. Despite this, Traven's books are par excellence political works. Although the author does not offer any positive programme, he always indicates the cause of suffering of his heroes. This source of suffering, deprivation, poverty and death is for him capitalism, personified in the deliberations of the hero of The Death Ship as Caesar Augustus Capitalismus. Traven's criticism of capitalism is, however, free of blatant moralizing. Dressing his novels in the costume of adventure or western literature, the writer seeks to appeal to the less educated, and first of all to the working class.
In his presentation of oppression and exploitation, Traven did not limit himself to the criticism of capitalism; in the centre of his interest there were rather racial persecutions of Mexican Indians. These motifs, which are mainly visible in the Jungle Novels, were a complete novelty in the 1930s. Most leftist intellectuals, despite their negative attitude to European and American imperialism, did not know about, or were not interested in persecutions of natives in Africa, Asia or South America. Traven deserves credit for drawing public attention to these questions, long before anti-colonial movements and struggle for emancipation of black people in the United States.
22 Jun 2016, 5:33 pm
