RazorEddie wrote:
Ettina wrote:
7. When I’m reading a story I find it difficult to work out the characters’ intentions - strongly disagree (they directly give you the information I miss in real-life, plus you can reread it as much as you like, and I'm genre savvy)
The point of this question is - do you accurately work out what the character's intentions are likely to be before the book actually tells you?
I find it easy to follow the dramaturgy, if its a book, or a movie doesn't matter. More often than not, I have seen the twist before. But I do not work it out based on emotions of characters, or their body language, it's just little patterns the director/writer seem to repeat very often. Like introducing a character early in the movie/book that just doesn't deserve as much screentime as he gets, unless he will return at a later point, which they 99 out of a 100 times do.
This might have something to do with tv series being a special interest of mine. The typical hollywood dramaturgy is easy to follow.
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