auntblabby wrote:
that is pretty high, not air between a high G and a high C IMHO. a long time ago, pop music was lower-pitched as evidenced by the crooners [such as bing crosby] who sold all those gazillions of 78s back in the day. i have to ask you something, TD- how do you keep your voice from cracking on the high notes? is there a note that if you exceed it, your voice will crack?
I just sing louder, with more force. I can usually get that G in that way, until I've been singing for a while and fatigue starts to set in. Then I have to increase the volume further to drive it through, but these days I can't keep doing that for hours like I used to be able to, or my voice will pack up. Luckily it usually only takes a few minutes of rest before it's recovered, so I can still record songs verse by verse, but for live performances I have to be careful about my choice of material and the running order. It's rather like physical exercise with advancing age - use it or lose it, don't overdo it, warm up gradually, and take sensible rest breaks.
The psychology of popular vocal ranges is interesting. Presumably the Crosby low notes were signalling masculinity. High, muscular singing had become one of the hallmarks of up-beat pop music by the time I was a teenager, with bands such as the Beatles and songs such as Twist And Shout. They were clearly pushing the envelope to get that high. Perhaps, as with their fringed hairstyles, they were showing off things that older people can't do so well. Youth culture was on the rise. It took me decades to begin to appreciate the aesthetic qualities of lower-range vocals, which I used to regard as wishy-washy and outmoded. I've also never been very good at singing lower notes. I couldn't get enough pitching accuracy or projection without that back-pressure. Since then I've improved in the low range, at least when recording. It's still difficult with live performing because it's just not loud enough, and it's very sensitive to nervousness which shows up as audible pitching errors and tremors. For some reason I can belt out higher notes accurately and confidently regardless of nerves.