I think that it is not only the instrument that you choose, but the phrasing that you choose to play / program,
but also the rest of the composition and the production ethos.
I think the sax has got a reputation for being cheesy due to porno funk, as well as 80's film sound tracks.
Although, arguably, there is a market for that too. I know the instrumental hip hop of the mid 90s
was heavily influenced by music for porno's, mixed with some really well programmed intricate hip hop beats.
There was also loads of funk / funk fusion from the 60s and 70s that featured sax, as well as other horn instruments, that some lesser informed people may deem as cheesy, but was actually written and played by jazz / funk / fusion legends with the likes of James Brown and Bobby Byrd (Marcio Parker etc).
These tracks usually were more up beat than perhaps the slow 80s soundtrack with sax man playing in an alley way in a string vest on a sweltering hot summers day, with sweat dripping from his muscular body..., he turns his body in a provocative beckoning way, only to see a Cher lookalike dressed in nothing more than lingerie and a body hugging fish net body stocking... she winks at him, as her tongue slowly licks her top lip from one side to the next, and.... the saxophonist drops his saxophone... but the sax plays on....
yep. that's why sax is considered to be cheesy...
but hey, some great dance tracks that featured sax....
including Guru Josh, old skool raver anthem, (who's father incidentally used to be my dentist. another true story...).
Guru Josh InfinityOh okay... Well since my short film is a crime thriller, where I want music that suggests a femme fatale like vibe, I can either choose a sax as the lead instrument and have it be kind of cheesy intentionally, and own it... Or I could choose a lead instrument that says sultry femme fatale, but is more subtle.
Which would be the best route to go, do you think for a serious crime thriller set in modern times? Paying homage, or more subtle?